Hong Kong Film Review

This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era -- post-cold war, postsocialist, and postmodern -- in China's history. The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible. This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality. Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary best-sellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialistideology, capitalist commodification, mass entertainment, and transnational images in contemporary China.

Hong Kong Film Awards - Hong Kong Film Awards (香港電影金像獎), is the most prestigious film awards in Hong Kong. It was established in 1982 and has been built-in into "Hong Kong Film Awards Association Limited" in December 1993.

The Battle of Hong Kong (film) - The Battle of Hong Kong was the only film made in Hong Kong during the Japanese Occupation] from [[1941 to 1945. The film was produced by the Japanese Dai Nippon Film Company, was directed by Tanaka Shigeo and featured an all-Japanese cast, but some Hong Kong film personalities were also involved in its making.

A Countess from Hong Kong - A Countess from Hong Kong was a 1967 comedy which is Charlie Chaplin's only color film, his last film, and a financial failure. Except for a brief scene as a steward, Chaplin directed and produced the film only.

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